The Cowboy and the Frenchman, dir. David Lynch (1988)

NIKKI says:
I almost felt like like this was cheating, watching a short film instead of a feature for our project. And then I thought, but short films are still films. They're still conceived as whole stories. And, really, to deny the short film in favour of a feature was to do the art a disservice. That's how I'm justifying my pick of the 34 minute Cowboy and the Frenchman tonight.

Truth is, I was so tired after work, I couldn't handle anything longer. This is when I treasure our collection -- need a short film on the double? Got one!

I chose this because the story sounded intriguing. Apparently it's part of a larger project to do with how US filmmakers and storytellers "view the French". This is David Lynch's perverse rendering of an entire culture, and as much as it's suitably and predictably bizarre, it's also rather entertaining. Some dyed in the wool cowpokes spot a mysterious creature falling down a hill and go find it. It's a Frenchman. The group converse, then they sing and dance, then that's about it. Harry Dean Stanton plays the near-death Slim who says words like "goll dang" and "bull-doggin". At first, Slim is a bit scared of the Frenchman, pondering whether or not he's a "goll dang alien spy". A quick search through the man's bag to pull out snails, an Eiffel Tower statue and a breadstick lead Slim to realise this is not an alien, but a French person. Upon discovering this, Slim befriends the man and they share a night of beer and music. During this time, the two (and Slim's ranch hands) share cultures. The Frenchman, for instance, teaches Slim to say "ooh la la" and Slim returns the favour, teaching the Frenchman to say "yippie kai ai aye".

Lynch's absurd view of these intermingling cultures is fascinating and creepy. I hear Werner Herzog also contributed to this series of shorts, and now I'm all about checking that one out.

This I give 2.5 out of 5. The highlight for me in this one was Tracy Walter paying back a loan.

STEVE says:
David Lynch is an oddball, this we know. But The Cowboy and the Frenchman is as weird as I think we've ever seen him - and that's saying a lot. It's his first foray into outright comedy, pre-dating On the Air by three or four years, and it's funny enough - at first: Harry Dean Stanton plays a mostly-deaf rancher with Jack Nance and Tracy Walter as his ranch hands. They see someone sneaking down the hill and immediately rope and apprehend him. "Might as well see what's in his case before we shoot him," Stanton says, at which point they pull wine, baguettes, little replicas of the Eiffel Tower, and a plate of snails from his suitcase. "He had a bunch in his pockets when I found him," Walter offers, with the explanation, "Maybe he fell asleep next to a stream." It's a plate of French fries that convince the trio that he's a Frenchman.

There's no real story up to this point, and there's even less in what follows: a strange montage of French women, a horse and an Elvis impersonator.

Worth it for hardcore Lynch fans, but I'd recommend others stay far, far away.

3/5

The Long Goodbye, dir. Robert Altman (1973)

STEVE says:
I know I'm alone on this, but I think Elliot Gould is my favorite Marlowe. He may not be the best incarnation of the literary Marlowe (in my opinion, it's Dick Powell in Murder, My Sweet), but that doesn't bother me so much, as The Long Goodbye is an update of the story, set in 1973 instead of the novel's 50s.

Marlowe, too, is an update of the smart-aleck PI made legendary by Bogart in The Big Sleep. Mumbling, bemused, talking to himself a great deal of the time, he's still as out-of-place as he's ever been, no matter who plays him.

And it's a Robert Altman film, so you've got to expect something different. It's not a straight adaptation of the book - half the characters have been dropped, a gangster added, a murder changed to a suicide and the ending completely changed - but it works.

The Long Goodbye is not a classic film noir, it's a take-off on films of that type, a satire of Hollywood and its stereotypes. I happen to love that sort of thing. For everybody else, I guess there's always vanilla.

4/5

Nikki did not view.