The Conversation

Director: Francis Ford Coppola
Writer: Francis Ford Coppola
Released: 1974
Cast: Gene Hackman, John Cazale, Allen Garfield, Frederic Forrest, Cindy Williams, Robert Duvall

Surveillance

Director: Jennifer Lynch
Writer: Jennifer Lynch, Kent Harper
Released: 2008
Cast: Bill Pullman, Julia Ormond, Pell James, Ryan Simpkins, Kent Harper, French Stewart, Michael Ironside

NIKKI says:
Compelling from beginning to end. I could barely look away from it. Every beat, every motion, every shot, every word is deliberate and calculated to build a mystery while solving another one.

Here, a scenario is presented, as seen through the eyes of three people (and three of the most unreliable narrators you can get) -- a crackhead, a bent cop, and an eight-year-old. The story goes that the cop and his partner stopped the girl's family on a routine speeding check, with the crackhead and her boyfriend literally caught in the middle when they stop to help the family, unaware of the cops behind them. In minutes, all but those three witnesses will be dead. But who saw what? Who did what? How does it all fit together with the spree killers on the loose as well? Two FBI agents are brought in to interview the witnesses and find out the truth.

It's all about seeing -- what we see, what we notice about people, how we react to each other. It's about looking for the details within the bigger picture; within bigger, skewed pictures. What does it mean to witness something? And what is it that we really see when we watch other people?

There are layers to this film. It's so intricately put together. It's been so long since I've thought to myself half way through a movie, "This is brilliant." The writing, the direction, the imagery -- I'm amazed that Jennifer Lynch has only directed a handful of films. Her attention to detail blew me away. She visually represents her themes in these effortless ways -- the three cars on the road matching the three surveillance camera in the police station, for instance, and the red, white and blue of those cars. She adds significance and purpose to every single shot -- nothing is wasted. (Her dad could learn a few things from her. Haha.)

It's all just amazing. Can't recommend it highly enough.

4.5/5

Blind Horizon

Director: Michael Haussman
Writers: F. Paul Benz, Steve Tomlin
Released: 2003
Cast: Val Kilmer, Never Campbell, Sam Shepard, Faye Dunaway, Amy Smart, Noble Willingham, Gil Bellows, Giancarlo Esposito

Funny Games

Director: Michael Haneke
Writer: Michael Haneke
Released: 2007
Cast: Naomi Watts, Tim Roth, Michael Pitt, Brady Corbet, Devon Gearhart

Black Water

Directors: David Nerlich, Andrew Traucki
Writers: David Nerlich, Andrew Traucki
Released: 2007
Cast: Diana Glenn, Maeve Dermody, Andy Rodereda, Ben Oxenbould, Fiona Press

The Signal

Directors: David Bruckner, Dan Bush, Jacob Gentry
Writers: David Bruckner, Dan Bush, Jacob Gentry
Released: 2007
Cast: Anessa Ramsey, Justin Welborn, AJ Bowen, Scott Poythress, Sahr Ngaujah

Assassins

Director: Richard Donner
Writer: The Wachowski Brothers, Brian Helgeland
Released: 1995
Cast: Sylvester Stallone, Antonio Banderas, Julianne Moore

Fallen

Director: Gregory Hoblit
Writer: Nicholas Kazan
Released: 1998
Cast: Denzel Washington, John Goodman, Donald Sutherland, Embeth Davidtz, James Gandolfini, Elias Koteas

They're Among Us

Director: Adam Weismann
Writers: Joshua Hale Fialkov, Christian Ford, Roger Soffer, Mark Wheaton
Released: 2008
Cast: Gil Bellows, Maxim Roy, Carlo Mestroni, Judd Nelson, Isabella Rossellini

Stir of Echoes: The Homecoming

Director: Ernie Barbarash
Writer: Ernie Barbarash
Released: 2007
Cast: Rob Lowe, Marnie McPhail, Ben Lewis, Tatiana Maslany, Shawn Roberts, Vik Sahay

Yella

Director: Christian Petzold
Writers: Simone Bär, Christian Petzold
Released: 2007
Cast: Nina Hoss, Devid Striesow, Hinnerk Schönemann

STEVE says: Okay. First: Not a bad movie. Beautifully shot, well-acted. Somehow managed to make corporate accounting, if not interesting, at least a source of intrigue. But by the 12-minute mark, I could see where it was all going. Am I the only person who's seen Carnival of Souls?

As the movie went on, it became less a question of What's Happening? and more How Will These Events Lead to the Inevitable Conclusion?

As a movie on its own, it probably deserves a higher rating, but it was hard to buy into the suspense when I couldn't get Carnival of Souls out of my head, so it's losing some points there.

2.5/5

Anamorph

Director: Henry Miller
Writers: Henry Miller, Tom Phelan
Released: 2007
Cast: Willem Dafoe, Scott Speedman, Clea Duvall, Peter Stormare, James Rebhorn

STEVE says: This was interesting, but not altogether good. The concept of a killer arranging his murders as art is cool - if not completely original (David Bowie did a concept album, "Outside" on the subject in 1995), but after a while you've just got to ask yourself, "Wouldn't it just be easier to shoot these people, or stab them or something?" The answer here is "Yeah, sure... I guess. Leave me alone!" But of course it's all about the art in the first place; the murders are incidental. And that's what I liked about it.

The thing is, there's no resolution to the story. Is Dafoe the killer? Is he the copycat? If so, who's the guy he was chasing if not the killer or the copycat? Does Dafoe know he, himself, is the killer if, in fact, he is? All questions the director felt we didn't need to know the answers to.

Normally, that's something I'd dig - a story where the journey is more important than the destination - but this time, I just felt cheated.

2/5

[Steve and Nikki also watched Hot Rod again.]

Clownhouse

Director: Victor Salva
Writer: Victor Salva
Released: 1989
Cast: Nathan Forrest Winters, Brian McHugh, Sam Rockwell, Tree

NIKKI says:
I knew the whole Victor Salva/paedophile thing from the time Powder came out, but for some reason, I held onto this movie. He did this one a fair while before Powder, and I'm sure the reason it remained in my collection was the whole clown thing. Scary carnivals are my thing, and this has a damn creepy one.

I didn't know, however, until after this viewing that the boy Salva was charged with molesting was the little boy from the movie. We decided after reading that to get rid of the movie. It's just kind of undiginifed to have it in our collection with such horrible things affiliated with it. Poor kid. And he was the one out protesting Powder, and somehow Salva is still allowed to make movies with young shirtless boys running all over the place. Crazy.

As far as Clownhouse, I used to think it was a cheesy Z-grade horror film with some mad clown visuals. Now, I just think it's icky.

Unrated

W Delta Z (aka The Killing Gene)

Director: Tom Shankland
Writer: Clive Bradley
Released: 2007
Cast: Stellan Skarsgård, Selma Blair, Melissa George

NIKKI says:
You know, WAZ started off okay. I thought the banter between Melissa George and Stellan Skarsgaard was geniune and effective. I also thought the Se7en-like energy the film had meant it might be a cut above your standard psychological slasher. Sadly, as the film went on, it lost much of its inital smart, low-key appeal. Which is to say, it went all torture-porn-y and showed way more than it needed to and just moved to extremes I really don't think it needed to go to. I don't think the story needed much alteration, just the depication of the sadist undertakings within it.

In a movie like this, I want to feel haunted by the things we do to each other, by the levels we'll go to when exacting revenge. Stepping away from a film like Se7ev, you certainly feel the grime on you, but that film didn't show us in ultra-graphic detail every cut and kill. Here, we see it all, and we're horribly desesnsitised to the Hostel way of vieweing horror effects in films that the atmosphere of terror is replaced by blatant gore which really isn't that shocking. It's like a movie pissing contest to see who can make the best looking snapping back fingernails. Boring.

Annoying really, because this had potential to be a really classy thriller. They just pushed it all too far and I didn't really care one way of the other in the end. I just wanted it all to stop.

2/5

The Hitcher

Director: Robert Harmon
Writer: Eric Red
Released: 1986
Cast: C. Thomas Howell, Rutger Hauer, Jennifer Jason Lee, Jeffrey DeMunn

NIKKI says: I love going back to these old movies with new eyes. Steve said we should watch this with the idea that Jim Halsey and John Rider are the same guy. Apparently, that's a theory going around -- they are actually one and the same, and it's Jim going around doing these horrible things in some Tyler Durden split-personality freak parade.

So, I considered... and I could see where such confusion might come about. There are times when Jim seems completely nuts and just a paranoid kid. But then there are times when gas stations blow up and women get ripped in half by guys driving trucks that cops have told Jim to go and talk to. So, no -- whoever thought Jim and Rider were the same is a fool. The cops can SEE John Rider -- are you MENTAL?

Still, it was fun to look at in a different way. I still enjoy the movie after all these years. It used to freak me out way more than it does, and I always used to put it up there with Duel as far as the suspense. But I don't so much anymore. The more I see it, the more standard it becomes. That doesn't mean it's any less effective, but looking back, it could be more terrifying, and more freaky, and it could also be a bit more realistic, because at times, and maybe I saw this because I was trying to see Rider as Jim, but sometimes Rider seems supernatural. He can go anywhere, get into anything, do anything and never really get caught until the end. So, maybe that lets me down a bit now? He's not as scary a guy when there's that ghostly element to him.

But a good movie nonetheless. And Robert Harmon is one of the most underrated artists in film. He should be the touchstone for all young up and coming cinematographers. In fact, he should just work more. Where are you Robert Harmon?

3/5

Backwoods

Director: Marty Weiss
Writer: Anthony Jaswinski
Released: 2008
Cast: Jonathan Chase, Haylie Duff, Willow Geer, John Hemphill, Deborah Van Valkenburgh, Danny Nucci

STEVE says: When I said I wanted to do a Horror Classics month to counter balance all the crap we'd been watching, this was exactly the sort of thing I was talking about counter balancing.

Lifting bits from The Hills Have Eyes II (2007), Lake Dead (2007), Severance (2006), Wrong Turn 2: Dead End (2007), See No Evil (2006) and Texas Chainsaw Massacre III (1990), as well as a kill from Southern Comfort (1981), "original" is something Backwoods was never going to be accused of being. But neither is "boring", for that matter, so that's something.

I'm going to have to watch something really good now to counter balance this. Night of the Creeps good. Re-animator good. It didn't exactly suck - it was no Brutal, for example - but I could think of better ways to spend an evening.

2/5

NIKKI says: And once again I'm reminded why it's NOT as fun as it looks to pick random scare-fests off the New Release wall to bring home. Ohh, Backwoods, I said, it's like Severance, and it could be fun.

I should be banned from my own shop. It was shit. I knew it would be shit. And I am ashamed. But, it wasn't as shit as most. So, I might not get banned, just temporarily booted.

Apologies all around.

1.5/5

Roadkill (aka Joy Ride)

Director: John Dahl
Writer: Clay Tarver, JJ Abrahms,
Released: 2001
Cast: Steve Zahn, Paul Walker, Leelee Sobieski, Ted Levine

STEVE says: Much like Session 9, I didn't expect much from this one and ended up thoroughly digging it. You'd think I'd learn a lesson.

Walker and Zahn play brothers, driving halfway across the country to pick the friend Sobieski up from college. Just for kicks, Zahn picks up a CB radio to kill time along the way, and ends up pranking a truck driver who goes by the handle Rusty Nail. And then the fun begins.

A mix of road movies like The Hitcher and Duel with some Hitchcock thrown in for good measure, Roadkill is better than my preconceived notions would have had me believe. But isn't that always the way?

3.5/5

NIKKI says: I really like this movie. And it's the kind of movie we should hate -- a derivative, rather tame horror film with super-sexy stars of the day. It's all shiny and glossy. It should be right up there with I Still Know What You Did Last Summer. But, somehow, it's not. It has traces of The Hitcher and Duel, and a little bit of I Saw What You Did, but it stands on its own as a decent modern suspense flick. It's a popcorn movie, absolutely, with some great scares, some fun, and a couple of surprisingly awesome performances from Paul Walker and Steve Zahn.

Actually, you know, that's one of the major draws for me about this movie -- I have a feeling Steve Zahn might have adlibbed all his lines. And it's hilarious. If he didn't adlib, then he definitely came up with his own line readings because everyhting is yelled or popped or screamed in places where it so shouldn't be. And it's so great to watch. There were times when Steve and I were sure Paul Walker wasn't acting but reacting to Zahn's bizarreness. It gives the thing an extra dimension having Zahn in there nstead of another pretty boy or a chick, or whatever else could have inserted easily in.

It loses me a bit at the end, when everything starts to come together -- it goes a bit over the top for me, but the lead up is sensational. I love it.

3/5

Session 9

Director: Brad Anderson
Writer: Steven Gevedon, Brad Anderson
Released: 2001
Cast: Peter Mullan, David Caruso, Steven Gevedon, Josh Lucas, Brendan Sexton III

STEVE says: This is one that we originally almost passed by, largely because it stars David Caruso. I have no problem with him, personally, it's just that I was sick of hearing about him and what a Prima Donna he can be. Getting past that, we thought it might be a fun, low-budget haunted house pic to kick back to.

It turned out to be one of the scariest movies ever. Not only that, Session 9 manages to be suspenseful, scary and intelligent all at once, and without resorting to cheap scare tactics. I wish we hadn't watched it in the middle of the afternoon, though, because we may have cheated ourselves out of some of the effect. That said, the movie takes place in broad daylight from beginning to end, and the only dark places are those in the abandoned mental hospital it's set in - and there are many of those.

Watching again, nearly seven years later, I am still completely drawn in by it.

4/5

NIKKI says: This is without doubt one of my favourite movies of all time. I absolutely adore it. It comes so close to perfection -- it's scary, it's smart, it's tense, it's a great story, it's got a wonderful setting, it looks great, it's paced well, the acting is great... come to think of it, what faults are there?

We discovered this movie entirely by chance. Ooh, a horror flick set in an old mental hospital starring David Caurso -- that's the kind of stuff we love to watch and make fun of. Well, "fuck you" didn't the movie just shout in our faces? We were glued, enthralled, terrified all the way through. I couldn't sleep with Mary's voice in my head all night afterwards. And she still creeps me out. I think I looked behind me at least once watching this tonight, and I've seen it a bunch of times. It just does that -- it grows on you, creeps through you. It's an amazing piece of work.

Instead of more raving, I'll do a Top 5 Best Moments in Session 9, the best mental hospital movie with David Caruso EVER:

5. When you realise the phone is broken and Gordon is talking to himself.

4. Hank in the stairwell: "What are you doing here?" (OH MY GOD!)

3. The lights turning off as nyctophobic Warren runs out of the tunnel.

2. The little wobble on the tape player that puts a shake in the recorded voices. Oh god, whoever thought of that... It just makes the recordings seem even more authentic. I was convinced they're pulled a real interview from the '50s or something.

1. Simon. Yes, okay movie -- you win.

Why does it creep me out just thinking about it? A brilliant, amazing, awesome movie. Fuck it, I'm just gonna give it five.

5/5

Child's Play

Director: Tom Holland
Writers: Don Mancini, John Lafia, Tom Holland
Released: 1988
Cast: Alex Vincent, Catherine Hicks, Chris Sarandon, Brad Dourif

STEVE says: And speaking of guilty pleasures...

I recently listened to a commentary for Child's Play by director Tom Holland. Seems MGM didn't ask him to be part of the 20th anniversary DVD release, so the gang over at Icons of Fright invited him to do what they're calling a Pirate Commentary, a valentine to the fans and a "fuck you" to the studio. Sweet.

Listening to Holland explain the development of the script (the original story, Blood Buddies, bearing only slight resemblance to the finished product), and how he fashioned the story (allowing people one by one to learn that Chucky really is alive, then removing those people until all of Andy's "safe places" are gone) was, frankly, more than I'd expected from what I remembered as a fun-but-kind-of-silly 80s horror flick. I was keen to watch it again and see if it was maybe better than I'd remembered.

It wasn't. I could see what Holland was talking about, and it's really kind of brilliant. I appreciate and respect his mastery of storytelling. But... little things, probably having more to do with Screen Time than Reality, put a heavy strain on my already stretched suspension of disbelief.

In the end, it didn't matter much. I'm not in this to hear realistic dialog, or to have explained to me how Chucky gets himself all the way across Chicago on his own, or to watch realistic police work (although I'm interested to know how the paperwork side of the case was dealt with). I'm in it to see a murderous talking doll stalk a six-year-old kid - because it's fun! And on that score, Holland delivered - which is more than can be said for any of the four miserable sequels.

3/5

The Exorcist

Director: William Friedkin
Writer: William Peter Blatty
Released: 1973
Cast: Ellen Burstyn, Jason Miller, Linda Blair, Max von Sydow, Lee J. Cobb.

STEVE says: October is going to be horror month for us. As if we need to set aside a whole month, having watched 120 horror movies already this year, but it's October and it's timely and I like horror movies, so that's reason enough.

I wanted to start it off with a bang, though - something that packs a punch - and all credit to Universal Studios, I didn't think Dracula, Frankenstein, or The Wolf Man were going to quite set the tone. The Exorcist won out over such classics as Rosemary's Baby, The Shining and, yes, Fright Night, and I'm glad we went with it because, even though it's not what I'd class as "scary", it's still - 35 years later - one of the creepiest flicks ever.

What bugs me about it is, there's no wiggle room for those who might be, like myself, Faith-Challenged. There is no question that Regan is possessed. Even though we're given plenty of alternative medical explanations as to what might be wrong with her, including a "lesion" in her brain ("My name is Legion, for we are many."), it's pretty clear that reason loses the battle here and superstitions are put forth as fact. Since Father Karras is having a crisis of faith, and since proof denies faith, I think the story would have been better served had Karras not seen actual proof of Regan's possession, but only inferred whatever proof he needed to confirm his faith in the end, you dig?

Hey, whatever, The Exorcist works, and I'm glad we chose it to kick off the month. Only problem now is, it's pretty much all downhill from here.

4/5